Courtney Ch’ng Lancaster has been working in theatre, film and television for nearly 20 years. She is a a founder of the collective The Howland Company, former Assistant Artistic Director at Tarragon Theatre, and was a resident artist with Soulpepper Theatre Company for 7 years. Courtney has performed with the Shaw Festival, Soulpepper, Public Recordings, …
Profile Department Archives:
Jackie Chau
Jackie Chau has designed over 200 productions and her work as a set and costume designer has toured across Canada and internationally. She has worked on many new and diverse Canadian plays and has done production design and art direction for film and television. The most recent short film she designed, One Small Visit – …
Julia Kenny
Divya Mehta
Danielle A.D. Howard
Danielle A.D. Howard joins AMPD as an assistant professor in the Department of Theatre. She recently taught within the University of California-Los Angeles’ School of Theater, Film and Television before coming to York University. Howard holds a PhD in Theatre and Performance Studies from UCLA and writes at the intersections of race, gender, performance, visual and sonic culture. …
Rebecca Caines
Dr Rebecca Caines is an interdisciplinary artist and scholar, whose research crosses between creative technologies (including sound art, new media, and augmentation), and socially engaged art, with a special focus on improvisatory practices. She holds a PhD in Performance Studies from the University of New South Wales, in Sydney, Australia; and completed two postdoctoral research …
Jamie Robinson
Jamie has been a Toronto based professional artist since 1997 as an actor, director, producer, teacher and writer. Recent director credits include: Spanish Golden Age Period Study (George Brown Theatre), Copy That (Tarragon Theatre), Scotian Journey (Black Theatre Workshop), 365 Days/365 Plays (U of T Mississauga), She Stoops to Conquer and Romeo & Juliet (Guild …
Tom Osborne
Mary Pecchia
Marlis Schweitzer
Dr. Marlis Schweitzer is a theatre and performance historian who works at the intersection of material culture, visual culture, business history, and feminist historiography, with an emphasis on Anglo-American performance cultures from the eighteenth-century to the present. She is an award-winning author and co-editor of six books (three monographs, three edited collections); past editor of …
